The drawing does not end at the edge of the paper.

Every work begins with a physical gesture: a line, a pressure, an erasure, a hesitation.

I do not use digital space to replace the physical object. I use it to test whether an artwork can carry more than one life.

The fragments in my drawings are not puzzles designed to be solved. They are states of memory—connected, interrupted and reorganized by whoever stands before them.

Order gives the image a body. Chaos gives it breath.

Technology is not the subject. It is another material, another condition through which the work can move, remember and transform.

I do not make drawings to answer questions. I make them because some questions deserve to remain unanswered.